Performance

Performance
No 92, 2013/1 - pages
Pages 5 to 8

Presentation

By Christian Biet, Sylvie Roques
Pages 9 to 20

Performance in Arts

By Bruno Péquignot
Pages 21 to 35

Extending the Field of Performance (Seventeenth-Twenty First Century)

By Christian Biet
Pages 37 to 49

Loudun’s Possession (1632-1637)

By Sophie Houdard
Pages 51 to 65

Scholars

By Rafael Mandressi
Pages 67 to 74

Installations and Happenings: Dangerous Relationships?

By Itzhak Goldberg
Pages 75 to 83

Fieldwork: An Anthropological Theater

By Bernard Müller
Pages 85 to 97

The Skin as an Object of Fascination

By Sylvie Roques, Georges Vigarello
Pages 99 to 110

Body Art: Injury as a Work of Art in Gina Pane

By David Le Breton
Pages 111 to 123

Eating Disorders and the Web: A New Way to Fast?

By Antonio Casilli
Pages 125 to 146

“Points of Contact” between Anthropology and Performance

By Richard Schechner, Marie Pecorari
Pages 147 to 158

Attendance and Pretence on Stage and in Court

By Richard Sherwin, Esther Gouarné
Pages 159 to 172

Jerk, by Gisèle Vienne and Jonathan Capdevielle

By Isabelle Barbéris
Pages 173 to 182

Female Nudes in Motion

By Julie Perrin
Pages 183 to 191

Dramatic Writing and Performance

By Joseph Danan
Pages 193 to 204

The Show as an Event 

By Guy Spielmann
Pages 205 to 218

From Performance to Performativity

By Josette Féral
Pages 219 to 229

Art-Action: The End of Preconceived Ideas?

By ORLAN
Pages 231 to 237

Performance-Conferences

By Éric Duyckaerts
Pages 239 to 251

Exploring Immobility

By Yann Marussich
Pages 253 to 261

The Spoken Word as a Performance

By Vincent Barras
Pages 263 to 275

Training to disappear

By Jan Fabre
Pages 277 to 290

Performance or the Revival of Action

By Jean-Marie Pradier